VALLEY OF THE TEN PEAKS; c. 1928

watercolour on paper
30 x 40 in.

Sold @ $ 45,100 (Spring 2002)

YORK BOAT ON LAKE WINNIPEG; 1930

colour woodcut on paper; ed. #1/150
10 1/4 x 13 3/4 in.

Sold @ $ 23,000 (Fall 2007)

SUMMER IDYLL; 1926

colour woodcut on paper; ed. #32/100
18 x 12 in.

Sold @ $ 18,400 (Fall 2007)

CANMORE; 1947

colour woodcut on paper
3 3/4 x 5 in.

Sold @ $ 4,140 (Spring 2009)

COLUMBIA ICEFIELDS; 1946

watercolour on paper; 1946
14 1/2 x 21 1/2 in.

Sold @ $ 22,000 (Fall 1999)

WATERFALL, JOHNSON'S CANYON; 1954

watercolour on paper
16 1/2 x 17 1/2 in.

Sold @ $ 17,600 (Fall 2000)

LAKE OF THE WOODS

watercolour on paper
8 1/2 x 10 3/4 in.

Sold @ $ 8,337.50 (Spring 2007)

THE LIONS, VANCOUVER

watercolour on paper
10 x 13 1/2 in.

Sold @ $ 11,000 (Fall 2000)

INDIAN DAYS, BANFF; 1950

colour woodcut on paper; Ed. #20/100
10 x 15 1/2 in.

Sold @ $ 15,525 (Fall 2007)

SHARP'S DOCK, PENDER HARBOUR; 1952

colour woodcut on paper; Ed. #11/100
9 1/4 x 14 in.

Sold @ $ 9,775 (Fall 2005)

LAKE LILIES; 1921

colour woodcut on paper; Ed. of 50
5 x 11 3/4 in.

Sold @ $ 5,060 (Fall 2001)

MANITOBA FARMSTEAD; 1934

colour woodcut on paper; Ed. of 100
7 1/2 x 13 in.

Sold @ $ 9,350 (Fall 2001)

THE BATHER (NUMBER TWO); 1927

colour woodcut on paper; Ed. #52/100
8 1/2 x 9 3/4 in.

Sold @ $ 3,680 (Fall 2005)

Walter Joseph Phillips was born 1884 at Barton-on-Humber in Lincolnshire, England, the son of Reverend John Phillips, a Methodist minister. In his teens, he attended the Birmingham School of Art once a week, studying under Edward R. Taylor. He went to South Africa for a few years in the hope of earning enough money there to be able to study art in Paris, but returned with little more than he left with. By 1908, he had worked as a commercial artist in Manchester and London, then from 1908 to 1911 served as art master at Bishop Woodworth School in Salisbury, England.

In 1911, he held his first solo show in Salisbury which was both critically and financially successful. Eventually, he and his wife Gladys Pitcher, whom he had married in December 1910, decided to emigrate to Canada, arriving in Winnipeg in June, 1913. Shortly after his arrival, a fellow artist he met, taught him etching technique and sold him his tools.

From 1915 to 1918, he produced etchings in very small editions, subsequently switching to colour woodcut prints, a medium he found more to his liking. During the summers of 1917 and 1919, Phillips taught at the University of Wisconsin, and by then, his works had commanded national and international attention. By 1923, he had published forty-two colour woodcuts, and in a burst of productivity between 1926 and 1928, he produced thirty-nine. By now, he had well-established his own pattern of making woodcuts: a graphite sketch, next a finished watercolour, another sketch to compose the woodcut, and then the final print.

Phillips was so highly regarded that during the Great Depression, he was one of a handful of artists who could live off the sale of his paintings and woodcuts. From 1925 to 1935, his subjects were mainly from the Prairies, but by 1946, most of his subjects were from the Rocky Mountains. He also continued to be a prolific book illustrator. In 1940, he became a staff member of the Banff Summer School of Fine Arts and in 1941, moved to Calgary to take up the position of instructor at the Institute of Technology and Art, where he stayed until 1949. In 1953, he moved to Banff where he lived in a house on Tunnell Mountain. By 1958, Phillips' eyesight began failing and in 1960, he retired to Victoria. In 1963, Walter Joseph Phillips died in Victoria at the age of 78. His ashes were scattered in the Alberta mountains he had loved so much and which had provided him with so many of his subjects.

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